Fiction / Creative

Online

Arrows and Exit Paths
3:AM Magazine
“A small, calm, unisex figure, crudely drawn like a woodcut illustrates this silently, sliding smoothly with one hand raised as if waving from a carnival ride. The blank face displays no facial expression.”

Is the Novel Dead?
McSweeneys
“Is your Kindle haunted? Is your font funereal?”

Research Has Shown
Contribution to the Dangerous Women Project, a creative manifesto on women’s speech in response to research into gendered speech patterns.
“Polish your brass until it shines; pass the cloth to others only after you’re done with it. Whoever heard of an orchestra with just a tuba?”

Saturday Sun 
In response to a brief from project 26 Under a Northern Sky with writers’ collective 26.
“H E X H A M. Short sharp ink strokes. A network of straight lines: letters fit for a timetable with their A to Z construction and efficient journey of shape.”

Inner Workings
Contribution to 26 Postcodes, an allocated 62 words in response to postcode WN5 0JL. Inspired by the Heinz factory, a newspaper clipping of 1960s tour guides, and the 1961 cover for Modern Packaging magazine.

Print

Seen/Unseen, a pamphlet edited by Katy Hastie (2017)
In response to an assigned artwork, recently displayed for the first time, I wrote a short ekphrastic prose piece in response to Interior – Santa Maria Della Salute, Venice, by Francis Cadell.

Parallel Magazine Issue 7 (2016)
It’ll Be Fine, a short story

 

 

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